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Dobrinja suburb You
are in the heart of the most devastated suburb of Sarajevo, by the old front
line. UN observers at the nearby airport would watch as grenades, bullets
and shrapnel shredded the houses in the most violent street-to-street fighting
in the city. In the grass beside the car lie two mines, as the red scrawl
on the pavement points out. If you zoom in, you can see one - if you know
what to look for. There are 500,000 more within a forty mile radius. You
keep off the grass in Sarajevo. Wander into one of the blown-out houses
and you're likely to trip a wire attached to another one, left by departing
owners or invaders (it doesn't matter which). Victims are offhandedly described
as 'red mist'.
Throughout the war, the city was closely surrounded, so bullets and shells came from all directions.
Although this bus is an obvious exception, much of the damage to the city is in fact a result of fire rather than violent impact.Of the many shells which landed on the city every day, a large number were incendiary devices.
100 yards down the road, in the direction the UN personnel carrier is facing, lies the hottest target in the city. Owing to its open and strategic position, more people died by sniper bullet at that T-junction than anywhere else.
Trams ran sporadically during the war, and all UN military vehicles were white, as opposed to the international peace-keeping implementation force's (IFOR - now SFOR) military green. An IFOR 'hummer' personnel carrier is driving past. The large building facing the river is the National Library.
Subject to intensive
shelling, it caught fire on August 25 1992 - 100 years to the day since
the start of its construction. The Sarajevans remember the day by the
ashes of books flying above the city. It burnt uncontrollably for four
days; all shelves and decorative plasterwork were destroyed and the pillars
cracked open and shed scallops of stone. Since the war finished, several
concerts and art exhibitions have been held in the ruins.
Thanks to Glen, Angus Kennedy, Simon Davies and Morgan Sowden. ©Interactive Reality 1999 |